On how listening, abstraction, and SuperCollider code articulate a cyclical process of exploration and refinement that, after many iterations, allows me to find the musical material I am looking for in instrumental and electroacoustic music.
News
Patterns in a Stochastic Field
Institute of Sonology, Royal Conservatoire, The Hague
23–27 February 2026Five-day workshop on algorithmic composition, sound synthesis, and stochastic processes in SuperCollider
In this workshop, we’ll create systems with simplicity in mind, combining stochastic methods with deterministic (rule-based) approaches to generate notes, chords, rhythms, textures, and waveforms, including a flexible implementation of Iannis Xenakis’s Dynamic Stochastic Synthesis.
The emphasis is on code that can be modified while listening, allowing processes to be shaped and selected by ear in real time.
New Electroacoustic Work Selected for IN-SONORA 14
Madrid
12 September 2025In this piece, for the first time I am combining the harmonic techniques I developed for my acoustic works with those I use to compose sounds on the computer: sounds created through extensions of Xenakis's stochastic synthesis, filtered to create chordal sequences in just intonation.
Chapter in The SuperCollider Book (MIT Press, 2025)
24 April 2025Co-authored with Daniel Mayer: "Stochastic and Deterministic Algorithms for Sound Synthesis and Composition"
This chapter explores stochastic and deterministic algorithms as sources for non-standard sound synthesis and algorithmic composition–approaches like random walks, tendency masks, Xenakis's dynamic stochastic synthesis, bytebeats, and buffer manipulation.
Rather than modeling traditional acoustics, we focus on exploratory techniques that show how these methods—implemented in SuperCollider—can generate complex and richly structured sound worlds.
Online SuperCollider Meetup
Notam (Norwegian Centre for Technology, Art, and Music), Oslo
2 April 2025Presentation on how I use SuperCollider in my work
SuperCollider has been integral to my work for almost 25 years — I use it to compose instrumental and electroacoustic music with stochastic and deterministic algorithms. This presentation covered my experience with SuperCollider.
22nd Sound and Music Computing Conference (SMC 2025)
Institute of Electronic Music and Acoustics (IEM), University of Music and Performing Arts, Graz, Austria
1 February – 13 March 2025Music reviewer
Reviewed submissions in the categories of instruments/vocals and electronics, live electronics, and fixed media compositions
Daisy — Overdrive Festival
Elebash Recital Hall, The Graduate Center, CUNY, New York
20 December 2024For computer-generated sound
Overdrive — Festival for Experimental Electronic Music and Multimedia Art
It Is Happening Again — IN-SONORA / Cruce 30th Anniversary
Cruce Arte y Pensamiento, Madrid
17 November 2024For computer generated sound
Presented at IN-SONORA's listening session, part of the celebration of Crucecontemporáneo's 30th anniversary
Dreaming about Tinguely's Mechanical Sculptures — Album Release
9 November 2024Included in the CD Abandonar la llengua pròpia, performed by Sisco Aparici
"Luque weaves a densely sophisticated fabric that nonetheless evokes a certain ancestral quality." — Paco Yáñez, Scherzo, 2025
Album also featuring works by Hèctor Parra, Voro García, Enrique Sanz-Burguete, José Luis Torá and Alberto Posadas.
Patterns in a Stochastic Field
Institute of Sonology, Royal Conservatoire, The Hague
4–8 November 2024Five-day workshop on algorithmic composition, sound synthesis, and stochastic processes in SuperCollider
It Is Happening Again — "Disciplines and Interconnections in 30 Years of Cruce"
Cruce Arte y Pensamiento, Madrid
31 October – 28 November 2024For computer-generated sound
Headphone listening zone
Exhibition marking Cruces's 30th anniversary, bringing together artists who have participated in IN-SONORA since its founding.
Introduction to Algorithmic Composition and Generative Music in SuperCollider
La Casa Encendida, Madrid
17–20 September 2024Workshop
In this workshop, we will explore various techniques for creating sounds and music without requiring prior knowledge of programming. We will combine deterministic procedures (rules) and stochastic procedures (processes whose evolution over time is random). The workshop will begin with an introduction to SuperCollider and will focus on its powerful pattern library. Patterns significantly simplify programming and will allow us to easily construct sound and musical structures using, for example, probabilistic distributions, tendency masks, random walks, and Markov chains.
Vouloir Croire Entrevoir
Museum of Art and History of Guanajuato, León, Mexico
15 December 2023For alto saxophone, violin, viola and cello
Liminar Ensemble
The programme includes compositions by Juan Cristóbal Cerrillo and Marc Sabat.
Vouloir Croire Entrevoir
Juárez Theater, Guanajuato, Mexico
14 December 2023For alto saxophone, violin, viola and cello The programme includes compositions by Juan Cristóbal Cerrillo and Marc Sabat.
Liminar Ensemble
Performed alongside Morton Feldman's Piano, violin, viola, cello.
SGAE Foundation – CNDM 34th Young Composers' Award
Auditorio 400, Museo Reina Sofía, Madrid
27 November 2023Jury member
Served as jury member for the 34th Young Composers' Award, presented by the SGAE Foundation and the Centro Nacional de Difusión Musical (CNDM). CrossingLines Ensemble performed works by the four prize winners: Pilar Miralles, Enric Jaume, Esther Pérez, and Vicent Giner.
Interview on La Casa del Sonido
Radio Clásica, National Radio of Spain, Madrid
24 October 2023Interview on my music, stochastic synthesis, and the teaching of electroacoustic composition.
Listen to the programme (in Spanish) on the RTVE website.
Vouloir Croire Entrevoir
Sala Carlos Chávez, Ciudad Universitaria, Mexico City
5 October 2023For alto saxophone, violin, viola and cello
Liminar Ensemble
Festival Cultura UNAM
Programme also including works by Morton Feldman, Catherine Lamb, György Ligeti and Marc Sabat.
It’s all mirrors and magnets
Teatro de las Artes, Centro Nacional de las Artes, Mexico City
5 August 2023For bass recorder
Anna Margules
Diferencial — Música Nueva en el CENART
Works by Iannis Xenakis and Sergio Luque
National Museum of Contemporary Art, Athens, Greece
29 June 2023Sound diffusion
Diamorphoses, Concret PH, Mycenae Alpha and GENDY3 by Iannis Xenakis, and Daisy by Sergio Luque.
Concert presented on the occasion of the inauguration of two exhibitions dedicated to Xenakis: "Sonic Odyssey" and "Xenakis and Greece".
Composition Grant — Spanish Society of Authors and Publishers (SGAE)
Madrid, Spain
7 June 2023Grant awarded by the Spanish Society of Authors and Publishers (SGAE) for We'll Never Know for piano, violin, viola and cello.
Commissioned by Flex Ensemble and Farout Artistic Research.
Premiered by Flex Ensemble at the Museo Universidad de Navarra, Pamplona: Kana Sugimura, violin; Anna Szulc, viola; Martha Bijlsma, cello; Johannes Nies, piano.
Interview on "Hacia una Nueva Música" (Towards a New Music)
Radio UNAM, Mexico City
31 May 2023Interviewed by composer Ana Lara
I discuss my creative process and the works featured in the programme: Telescope II for piano and string quartet, performed by Eloy Orzaiz, Marta Ramírez García Mina, Leire Fernández, Daniel Sábada, and Paula Azcona; Don't Have Any Evidence for chamber ensemble, performed by the Birmingham Contemporary Music Group, winner of the COMPASS Prize; and It Is Happening Again for computer-generated sound.
Listen to the programme (in Spanish) on Radio UNAM's website.
La Légende d'Eer - Iannis Xenakis
Auditorio, Azkuna Zentroa, Bilbao, Spain
23 May 2023Sound diffusion with Juan Carlos Blancas
La Légende d'Eer (1977) is one of Xenakis's most celebrated electroacoustic works, composed for the inauguration of the Centre Georges Pompidou in Paris. Originally created in seven channels at the WDR studios in Cologne, the piece formed the musical component of "Le Diatope", a multimedia installation combining music, lasers, mirrors, and flashes of light.
Hotsetan. Programa de Música Experimental
Works by Iannis Xenakis and Sergio Luque
Centro Cultural Lope de Vega, Madrid
15 January 2023Sound difussion
Concret PH, Bohor and GENDY3 by Iannis Xenakis, and It Is Happening Again by Sergio Luque
Sonikas — XX Festival Internacional de Música Experimental
We'll Never Know
Sprengel Museum, Hannover, Germany
27 November 2022For piano, violin, viola and cello
Flex Ensemble
Farout Artistic Research
We'll Never Know
Rasselmania, Hildesheim, Germany
26 November 2022For piano, violin, viola and cello
Flex Ensemble
Farout Artistic Research
The Art of Disappearing, Interludio, ¿Qué Gigantes? and It Is Happening Again
Auditorio, Azkuna Zentroa, Bilbao, Spain
24 November 2022Sound diffusion
Hotsetan. Programa de Música Experimental
Works by Iannis Xenakis and Sergio Luque — X100 Festival
Kraftwerk, Berlin
18–20 November 2022Sound diffusion and talk on stochastic synthesis
Persepolis, Concret PH, La Légende d'Eer, Hibiki-Hana-Ma, Mycenae Alpha, GENDY3 and S.709 by Iannis Xenakis
"Sex, Drugs and Rock 'N Roll" Was Never Meant to Be like This, Daisy and The Art of Disappearing by Sergio Luque
X100 — A Festival in the Spirit of Iannis Xenakis
We'll Never Know
Museo Universidad de Navarra, Pamplona, Spain
11 November 2022For piano, violin, viola and cello
Flex Ensemble
Farout Artistic Research
La Légende d'Eer and It Is Happening Again — Music & Maths: Iannis Xenakis 100
The Exchange, Birmingham, United Kingdom
29 May 2022Sound diffusion
I performed the sound diffusion of Xenakis's La Légende d'Eer and my own It Is Happening Again as part of Music & Maths: Iannis Xenakis 100, an event organised by the Birmingham Contemporary Music Group and BEAST to mark the centenary of Xenakis's birth.
La Légende d'Eer - Algoritmos: Alrededor de Iannis Xenakis
Auditorio 400, Museo Reina Sofía, Madrid, Spain
20 May 2022Sound diffusion with Juan Carlos Blancas
La Légende d'Eer (1977–78) is one of Xenakis's most celebrated electroacoustic works, originally composed for the inauguration of the Centre Georges Pompidou in Paris. Juan Carlos Blancas and I performed the sound diffusion of a multichannel version of the work.
The Music of Iannis Xenakis: Abstraction in Search of a Dionysian Knowledge of the Universe
Sala de Música, Centro Superior de Investigación y Promoción de la Música (CSIPM), Autonomous University of Madrid
24 March 2022Talk and panel discussion as part of the VI Ciclo de Conferencias del ECIS-CSIPM, marking the centenary of Xenakis's birth
I presented "The Music of Iannis Xenakis: Abstraction in Search of a Dionysian Knowledge of the Universe" as part of a panel discussion alongside architect Susana Moreno, who presented "The Architecture of Iannis Xenakis", moderated by architect Cristina Palmese. The event was part of a day dedicated to Xenakis's centenary, which included a continuous listening session of his electroacoustic works at the UAM's music laboratory.
The Art of Disappearing — Panorámica_01
Sala Panorama, Centro Cultural de España en México, Mexico City
10 February 2022Multichannel immersive listening event curated by Eduardo Palacio
Presented in an 8-channel spatialisation alongside works by Daniel Teruggi, Rodrigo Sigal, Carole Chargueron, Esteban Chapela, Tonalli Rufino, João Pedro Oliveira, and Jorge Sad Levi.
It's All Mirrors and Magnets — VII Festival de Música Contemporánea de La Rioja
Centro Fundación Caja Rioja Gran Vía, Logroño, Spain
21 January 2022For bass recorder
Performed by Anna Margules.
Part of the programme "De pintura y viento. Aires contemporáneos para flautas de pico", presented as the closing concert of the VII Festival de Música Contemporánea de La Rioja, organised by Rioja Filarmonía
Vouloir Croire Entrevoir — XLIII Foro Internacional de Música Nueva Manuel
Sala Manuel M. Ponce, Palacio de Bellas Artes, Mexico City
15 October 2021For alto saxophone, violin, viola and cello
Liminar Ensemble
This concert will include pieces by Peter Ablinger, John Cage, Julián Carrillo and Cristina García Islas.
Telescope - Resis IV Festival de Música Contemporánea
Museo Nacional de Ciencia y Tecnología, A Coruña, Spain
22 May 2021For piano
Elisa Vázquez Doval
Performed alongside works by Cage, Feldman, Sciarrino, and Stockhausen.
Telescope II — Museo Universidad de Navarra
Museo Universidad de Navarra, Pamplona, Spain
17 April 2021World premiere. For piano and string quartet. Commissioned by Farout.
Telescope II is the second in a series of works composed while observing Hubble Space Telescope photographs.
The premiere is part of a performative event by research collective Farout, combining the music with an introduction by astrophysicist Francisco Colomer, director of JIVE — the Joint Institute for VLBI in Europe.
Performed by Eloy Orzaiz, Leire Fernández, Marta Ramírez García-Mina, Daniel Sádaba, and Paula Azcona.
Telescope — V Festival Internacional de Música Iberoamericana
Casa de Valencia, Madrid, Spain
29 November 2020For piano
Performed by Carlos Marín Rayo alongside works by Nina Aranda Font, Francisco Lima da Silva, Consuelo Díez, Miguel Bustamante, Constancio Hernaez, José Luis Turina, Ana Vázquez Silva, Alfredo Aracil, and Cesar Viana.
It's All Mirrors and Magnets
Centro Cívico y Cultural, Pedro Muñoz, Ciudad Real, Spain
29 December 2019For alto saxophone
Performed alongside works by Bach, Méndez and Sánchez Verdú.
Stochastic Composition and Synthesis in SuperCollider
Institute of Sonology, Royal Conservatoire, The Hague, The Netherlands
4 November 2019Five-day workshop on algorithmic composition, sound synthesis, and stochastic processes in SuperCollider
Telescope — Cafe OTO
Cafe OTO (https://www.cafeoto.co.uk/events/dante-boon/), London
30 September 2019For piano. World premiere.
Performed by Dante Boon alongside works by Antoine Beuger, Dante Boon, John Cage, Jürg Frey, Elisabeth Lutyens, and Caterina Venturelli.
Surveillance - Visiones Sonoras
Auditorio CSAM, UNAM, Morelia, Mexico
28 September 2019For computer-generated sound
Presented at Visiones Sonoras XV, organised by the Centro Mexicano para la Música y las Artes Sonoras (CMMAS) in Morelia, alongside works by Dal Farra, Desilets, Lounis, Tremblay, and Vernusky.
Frío — Maratón de Electroacústica de América Latina
Casa del Lago, UNAM, Mexico City
15 June 2019Frío for computer-generated sound
Presented as part of the Maratón de Electroacústica de América Latina, held within the framework of the Electroacoustic Music Studies Network (EMS) colloquium, alongside works by Pablo Gav, Manuel Rocha, Pablo Silva, and Rogelio Sosa.
Curated by Pablo Silva.
Dreaming about Tinguely's Mechanical Sculptures — Sixth International Percussion Festival, Santa Fe
Teatro Municipal, Santa Fe, Argentina
5 June 2019For solo percussion
Performed by Iván Manzanilla as part of the Sixth International Percussion Festival, organised by the Instituto Superior de Música de la Universidad Nacional del Litoral and the City of Santa Fe
Telescope
Sala Berlanga, Madrid
22 March 2019Telescope for piano Lluïsa Espigolé (https://www.lluisaespigole.com) EMA - Festival de Música Actual Sala Berlanga, Madrid. March 22, 2019
→Dreaming about Tinguely's Mechanical Sculptures
Conrad Prebys Concert Hall, University of California, San Diego, USA
1 March 2019Dreaming about Tinguely's Mechanical Sculptures for solo percussion Iván Manzanilla Cross-Wired Conrad Prebys Concert Hall, University of California, San Diego, USA. March 1, 2019
Dreaming about Tinguely's Mechanical Sculptures
Teatro Libélula Dorada, Bogotá, Colombia
4 December 2018Dreaming about Tinguely's Mechanical Sculptures for solo percussion Iván Manzanilla Círculo Colombiano de Música Contemporánea Teatro Libélula Dorada, Bogotá, Colombia. December 4, 2018
Flaring up from Blackness
Sala Manuel M. Ponce, Palacio de Bellas Artes, Mexico City
5 October 2018Flaring up from Blackness for saxophone quartet Sigma Project (http://sigmaproject.es/) XL Foro Internacional de Música Nueva Manuel Enríquez (https://forodemusicanueva.inba.gob.mx) Sala Manuel M. Ponce, Palacio de Bellas Artes, Mexico City. October 5, 2018
→Flaring up from Blackness
Centre Municipal Bernat i Baldoví, Sueca, Spain
19 May 2018Flaring up from Blackness for saxophone quartet Sigma Project (http://sigmaproject.es/) Centre Municipal Bernat i Baldoví, Sueca, Spain. May 19, 2018
→Flaring up from Blackness
CentroCentro, Palacio de Cibeles, Madrid, Spain
26 April 2018Flaring up from Blackness for saxophone quartet Sigma Project (http://sigmaproject.es/) VANG. Músicas en vanguardia CentroCentro, Palacio de Cibeles, Madrid, Spain. April 26, 2018
→Stochastic Composition and Synthesis in SuperCollider
The Hague, The Netherlands. October 30
3 November 2017Stochastic Composition and Synthesis in SuperCollider Workshop Institute of Sonology, Royal Conservatory The Hague, The Netherlands. October 30 - November 3, 2017
Don't Have Any Evidence
Sala Manuel M. Ponce, Palacio de Bellas Artes, Mexico City
26 February 2017Don't Have Any Evidence for bass flute, English horn, bass clarinet, bassoon, percussion, piano, violin, viola, cello and double bass Ensamble CEPROMUSIC Sala Manuel M. Ponce, Palacio de Bellas Artes, Mexico City. February 26, 2017
Spine
Sala de Arte Público Siqueiros, Mexico City
11 February 2017Spine for English horn, percussion, violin & double bass Ensamble CEPROMUSIC Aliqua*/Música de cámara contemporánea (http://www.cepromusic.org/node/135) Sala de Arte Público Siqueiros, Mexico City. February 11, 2017
→Through Empty Space
Bendigo Town Hall, Australia
3 September 2016Through Empty Space for string quartet Commissioned by Bendigo International Festival of Exploratory Music 2016 Argonaut Quartet Graeme Jennings, Violin I Elizabeth Welsh, Violin II Erkki Veltheim, Viola Judith Hamman, Cello Bendigo International Festival of Exploratory Music (http://www.bifem.com.au/2016/festival/argonaut-quartet-glossolalia) Bendigo Town Hall, Australia. September 3, 2016
→Surveillance
CCRMA Stage, Stanford University, USA
21 May 2016Surveillance for computer-generated sound CCRMA Stage, Stanford University, USA. May 21, 2016
Surveillance
University of Birmingham, United Kingdom
28 April 2016Guest Composer Surveillance for computer-generated sound Daisy for computer-generated sound "Sex, Drugs and Rock 'N Roll" Was Never Meant to Be like This for computer-generated sound BEAST FEaST 2016 Real/Unreal (http://www.beast.bham.ac.uk/events/beast-feast-2016-realunreal/) University of Birmingham, United Kingdom. April 28 - 30, 2016
→Brazil
Ibrasotope Música Experimental, São Paulo, Brazil
11 December 2015Brazil for computer-generated sound Enclaves Sitiados.3 - WhiteNoise.Colectivo (http://www.fonotecanacional.gob.mx/index.php/agenda/calendario-de-eventos/concierto/enclaves-sitiados-3-concierto-2) Fonoteca Nacional de México, Mexico City, Mexico. December 9, 2015 Ibrasotope Música Experimental, São Paulo, Brazil. December 11, 2015
→Surveillance
University of Birmingham, United Kingdom
11 November 2015Surveillance for computer-generated sound ¿Qué Gigantes? for computer-generated sound MiniBEAST Concert Curated by Tsun-Winston Yeung (http://www.beast.bham.ac.uk/events/minibeast-2015-11-11/) University of Birmingham, United Kingdom. November 11, 2015
→Stochastic Composition and Synthesis in SuperCollider
The Hague, The Netherlands
26 October 2015Stochastic Composition and Synthesis in SuperCollider Workshop Institute of Sonology, Royal Conservatory The Hague, The Netherlands. October 26 - 30, 2015
Surveillance
Cortijo del Coco, Cáceres, Spain
12 September 2015Surveillance for computer-generated sound Jornadas de Música Experimental - II Encuentro de Raíces Nómadas Cortijo del Coco, Cáceres, Spain. September 12, 2015
Surveillance
Dudley House, Bendigo, Australia
5 September 2015Surveillance for computer-generated sound Sound Gallery | Bendigo International Festival of Exploratory Music (http://www.bifem.com.au/2015/festival/sound-gallery) Dudley House, Bendigo, Australia. September 5 - 6, 2015
→Four Electroacoustic Pieces
Mexico City
30 July 2015Four Electroacoustic Pieces Solo Concert Auditorio Divino Narciso, Universidad del Claustro de Sor Juana Mexico City. July 30, 2015
Surveillance
Morelia, Mexico
17 July 2015Surveillance for computer-generated sound Daisy for computer-generated sound Centro Mexicano para la Música y las Artes Sonoras Morelia, Mexico. July 17, 2015
To and Fro (Adult Male Courtship Song)
Le Shadok, Strasbourg, France
13 July 2015To and Fro (Adult Male Courtship Song) for alto saxophone & tape Jorge Hoyo 17th World Saxophone Congress and Festival Le Shadok, Strasbourg, France. July 13, 2015
Introduction to SuperCollider: Sound Synthesis and Algorithmic Composition
Morelia, Mexico
6 July 2015Introduction to SuperCollider: Sound Synthesis and Algorithmic Composition Workshop Centro Mexicano para la Música y las Artes Sonoras (http://www.cmmas.org/cmmas_eventos.php?lan=es&id=1024) Morelia, Mexico. July 6 - 10, 2015
→To and Fro (Adult Male Courtship Song)
Morelia, Mexico
26 June 2015To and Fro (Adult Male Courtship Song) for alto saxophone & tape Jorge Hoyo Centro Mexicano para la Música y las Artes Sonoras Morelia, Mexico. June 26, 2015
De Nada Sirve Hacer Planes
Conservatorio Nacional de Música, Mexico City
1 June 2015De Nada Sirve Hacer Planes for string orchestra Orquesta de Cámara de Bellas Artes Rodrigo Macías, conductor XXXVII Foro Internacional de Música Nueva Manuel Enríquez (http://www.forodemusicanueva.bellasartes.gob.mx/) Conservatorio Nacional de Música, Mexico City. June, 2015
→It's All Mirrors and Magnets
Espacio Ronda, Madrid, Spain
9 May 2015It's All Mirrors and Magnets for bass recorder Anna Margules (http://www.annamargules.com) Aeterna Musica Espacio Ronda, Madrid, Spain. May 9, 2015
→Iannis Xenakis: Art and Science
Museo de Arte Contemporánea de Vigo, Spain
26 March 2015Iannis Xenakis: Art and Science Lecture Aguzar o Oído - 23 Músicas que cambiaron a Escoita (http://www.marcovigo.com/content/aguzar-o-o-do-ii-23-m-sicas-que-cambiaron-escoita) Museo de Arte Contemporánea de Vigo, Spain. March 26, 2015
→Interludio
Ateneo de Madrid, Spain
22 March 2015Interludio for computer-generated sound I Ciclo de Música Contemporánea Iberoamericana (http://www.ateneodemadrid.com/index.php/esl/Agenda/Actividades/I-Ciclo-de-musica-contemporanea-iberoamericana.-Musica-Electronica-con-video-e-interpretes) Ateneo de Madrid, Spain. March 22, 2015
→"Sex, Drugs and Rock 'N Roll" Was Never Meant to Be like This
Studio Loos, The Hague, The Netherlands
12 March 2015"Sex, Drugs and Rock 'N Roll" Was Never Meant to Be like This for computer-generated sound Surveillance for computer-generated sound Studio Loos, The Hague, The Netherlands. March 12, 2015
Stochastic Composition and Synthesis in SuperCollider
The Hague, The Netherlands
9 March 2015Stochastic Composition and Synthesis in SuperCollider Workshop Institute of Sonology, Royal Conservatory The Hague, The Netherlands. March 9 - 13, 2015
Surveillance
Madrid, Spain
4 December 2014Surveillance for computer-generated sound XX Jornadas de Informática y Electrónica Musical II Congreso Internacional Espacios Sonoros y Audiovisuales (http://espaciossonoros2014.blogspot.com.es/) Auditorio 400, Museo Nacional Centro de Arte Reina Sofía Madrid, Spain. December 4, 2014
→Stochastic Synthesis: Origins and Extensions
Universidad Autónoma de Madrid, Spain
3 December 2014Stochastic Synthesis: Origins and Extensions Lecture XX Jornadas de Informática y Electrónica Musical II Congreso Internacional Espacios Sonoros y Audiovisuales (http://espaciossonoros2014.blogspot.com.es/) Salón de Actos de la Facultad de Filosofía y Letras Universidad Autónoma de Madrid, Spain. December 3, 2014
→Origins and Extensions of Xenakis's Stochastic Synthesis
National Institute for Music Research, Berlin, Germany
1 December 2014Origins and Extensions of Xenakis's Stochastic Synthesis Public Display of Research Reports Iannis Xenakis – Composition between Art and Algorithm ECMST ~ MASA (Empirics, Computation, Mathematics, Science and Technology in Music and Acoustical Signal Analysis) (http://www.sim.spk-berlin.de/ecmst_~_masa_ii_%5Ben%5D_1065.html) National Institute for Music Research, Berlin, Germany. December, 2014
→"Sex, Drugs and Rock 'N Roll" Was Never Meant to Be like This
Plaza de Santo Domingo, Oaxaca, Mexico
18 November 2014"Sex, Drugs and Rock 'N Roll" Was Never Meant to Be like This for computer-generated sound Instrumenta Oaxaca Plaza de Santo Domingo, Oaxaca, Mexico. November 18, 2014
Surveillance - Section II
Palacio de Cibeles, Madrid, Spain
31 October 2014Surveillance - Section II for computer-generated sound Concert, Installation Opening and DVD Presentation Audiópolis, CentroCentro Palacio de Cibeles, Madrid, Spain. October 31, 2014
Surveillance
N.K., Berlin, Germany
18 October 2014Surveillance for computer-generated sound Daisy for computer-generated sound "Sex, Drugs and Rock 'N Roll" Was Never Meant to Be like This for computer-generated sound Concert Kees Tazelaar & Marianne Dekker, Sergio Luque, Alberto de Campo (http://www.nkprojekt.de/kees-tazelaar-marianne-dekker-sergio-luque-alberto-de-campo-alex-mendizabal/) Initiative Neue Musik Berlin Series N.K., Berlin, Germany. October 18, 2014
→Daisy
San José, Costa Rica
24 July 2014Daisy for computer-generated sound Seminario de Composición Musical 2014 (http://eddiemora.com/es/bitacora/proyectos/contempo/85-xiii-seminario-de-composicion-musical-2014) Sala María Clara Cullel, Universidad de Costa Rica San José, Costa Rica. July 24, 2014
→To and Fro (Adult Male Courtship Song)
Escuela Adolfo Prieto, Monterrey, Mexico
14 July 2014To and Fro (Adult Male Courtship Song) for alto saxophone & tape Alberto Romero VI Foro de Compositores de Nuevo León Escuela Adolfo Prieto, Monterrey, Mexico. July 14, 2014
It's All Mirrors and Magnets
Boston, USA
12 June 2014It's All Mirrors and Magnets for alto saxophone Kent O'Doherty, KOEK duo Museum of Fine Arts (http://www.mfa.org/programs/music/koek) Boston, USA. June 12, 2014
→About My Music
Espacio Labruc, Madrid
15 February 2014About My Music Talk Foro draft.inn de Compositores Contemporáneos (http://draftinn.com/talleres/4-draftmeetings/) Espacio Labruc, Madrid. February 15, 2014
→Daisy
Chapel Performance Space, Seattle, USA
24 January 2014Daisy for computer-generated sound Center for Digital Arts and Experimental Media (DXARTS) (http://www.dxarts.washington.edu/news/2014/01) University of Washington Chapel Performance Space, Seattle, USA. January 24, 2014
→Drinking Wine V
Boston, USA
8 December 2013Drinking Wine V for soprano voice and alto saxophone KOEK duo Aliana de la Guardia, soprano Kent O'Doherty, alto saxophone Equilibrium Concert Series (http://equilibriumconcertseries.org/2013/10/04/two-more-concerts-ahead-in-2013/) Davis Square Theater Boston, USA. December 8, 2013
→Interludio
Bendigo, Australia
14 September 2013Interludio for computer-generated sound Bendigo International Festival of Exploratory Music (http://www.thecapital.com.au/Whats_On/BIFEM) Bendigo Bank Theatre Bendigo, Australia. September 14, 2013
→Algorithmic and Stochastic Music in SuperCollider
Centro Nacional de las Artes, Mexico City
19 July 2013Algorithmic and Stochastic Music in SuperCollider Workshop Centro Multimedia (http://cmm.cenart.gob.mx/cartelera/cursos.html) Centro Nacional de las Artes, Mexico City. July 19 - 21, 2013
→Algorithmic and Generative Music in SuperCollider
Centro Superior Katarina Gurska , Madrid, Spain
18 May 2013Workshop
→Stochastic Synthesis: Origins and Extensions
Buenos Aires, Argentina
5 May 2013Stochastic Synthesis: Origins and Extensions Lecture "Sex, Drugs and Rock 'N Roll" Was Never Meant to Be like This for computer-generated sound Concert Institute of Sonology in Argentina (http://condit.org.ar/en/resources/concerts/institute-of-sonology-in-argentina) conDiT, Centro Cultural cheLA Buenos Aires, Argentina. May 5, 2013
→"Sex, Drugs and Rock 'N Roll" Was Never Meant to Be like This
Sala Julián Carrillo, Radio UNAM, Mexico City
25 April 2013"Sex, Drugs and Rock 'N Roll" Was Never Meant to Be like This for computer-generated sound Festival Odiureisón Sala Julián Carrillo, Radio UNAM, Mexico City. April 25, 2013
Five Pieces for computer-generated sound
Madrid, Spain
7 December 2012Five Pieces for computer-generated sound Solo Concert Sonikas - Festival Internacional de Música Experimental (http://www.ccapitalia.net/?p=1198) Centro Cultural Pilar Miró Madrid, Spain. December 7, 2012
→"Sex, Drugs and Rock 'N Roll" Was Never Meant to Be like This
Maison de l'Université, Université de Rouen, France
3 December 2012"Sex, Drugs and Rock 'N Roll" Was Never Meant to Be like This for computer-generated sound Centre Iannis Xenakis Maison de l'Université, Université de Rouen, France. December 3, 2012
"Sex, Drugs and Rock 'N Roll" Was Never Meant to Be like This
IAM Gallery, Madrid, Spain
13 November 2012"Sex, Drugs and Rock 'N Roll" Was Never Meant to Be like This for computer-generated sound TecnoNucleo Los Martes Experimentales (http://www.piovra.org/events/acoustic-sunset-blitz/109) IAM Gallery, Madrid, Spain. November 13, 2012
→"Sex, Drugs and Rock 'N Roll" Was Never Meant to Be like This
C'est la vie, Madrid, Spain
11 November 2012"Sex, Drugs and Rock 'N Roll" Was Never Meant to Be like This for computer-generated sound Undae! | Ciclo Internacional de Música Electroacústica 2012 (http://proyectoundae.files.wordpress.com/2012/11/undae-xl-11-n1.jpg) C'est la vie, Madrid, Spain. November 11, 2012
¿Qué Gigantes?
Mexico City
10 November 2012¿Qué Gigantes? for computer-generated sound Ciclo Arquetipos Sonoros (http://www.muac.unam.mx/webpage/eventos.php?id_evento=315&id_clasificacion_evento=5) Museo Universitario de Arte Contemporáneo Mexico City. November 10 - 11, 2012
→Introduction to SuperCollider: Sound Synthesis, Algorithmic Composition and Network Music
Morelia, Mexico
2 July 2012Introduction to SuperCollider: Sound Synthesis, Algorithmic Composition and Network Music Workshop "Sex, Drugs and Rock 'N Roll" Was Never Meant to Be like This for computer-generated sound Brazil for computer-generated sound Concert Centro Mexicano para la Música y las Artes Sonoras (http://cmmas.org/cmmas_eventos.php?lan=es&id=627) Morelia, Mexico. July 2 - 6, 2012
→My Life Has Been Filled With Terrible Misfortune; Most of Which Never Happened
Centro Nacional de las Artes, Mexico City
15 June 2012My Life Has Been Filled With Terrible Misfortune; Most of Which Never Happened for bass clarinet, violin, viola, cello, double bass & live electronics Ensamble Liminar XXXIV Foro Internacional de Música Nueva Manuel Enríquez (http://www.forodemusicanueva.bellasartes.gob.mx/) Auditorio Blas Galindo Centro Nacional de las Artes, Mexico City. June 15, 2012
→John Cage: Imaginary Landscape No. 5 For Any 42 Phonograph Records
Red Room, Baltimore, USA
25 May 2012John Cage: Imaginary Landscape No. 5 For Any 42 Phonograph Records New computer realization for recordings of spoken word Eight channels Happy Birthday for computer-generated sound Six channel version The Baltimore Technology Overdrive presents: RTFM (http://www.redroom.org/calendar/) Red Room, Baltimore, USA. May 25, 2012
→It's All Mirrors and Magnets
Madrid, Spain
21 April 2012It's All Mirrors and Magnets for bass recorder Anna Margules (http://www.annamargules.com) Fundación BBVA Palacio del Marqués de Salamanca Madrid, Spain. April 21, 2012
→Algorithmic Composition and Dynamic Stochastic Synthesis in SuperCollider
The Hague, The Netherlands
19 April 2012Algorithmic Composition and Dynamic Stochastic Synthesis in SuperCollider Workshop Dynamic Stochastic Synthesis Lecture Daisy for computer-generated sound Concert Xenakis Festival - Géometrie spatiale Institute of Sonology, Royal Conservatory The Hague, The Netherlands. April 19 - 20, 2012
Brazil
Madrid, Spain
17 March 2012Brazil for computer-generated sound IN-SONORA - VII Muestra de Arte Sonoro e Interactivo (http://www.in-sonora.com/) Auditorio 400, Museo Nacional Centro de Arte Reina Sofía Madrid, Spain. March 17, 2012
→My Idea of Fun
OgreOgress Productions, USA
1 February 2012My Idea of Fun for clarinet, percussion & viola DVD-Audio Postcage Michael Kornacki, clarinet; Glenn Freeman, percussion; Christina Fong, viola http://amazon.com/dp/B0067STJP6 OgreOgress Productions, USA, February, 2012
→Collaborative Live Coding Performance and, Stochastic Composition and Synthesis
Birmingham, United Kingdom
28 January 2012Collaborative Live Coding Performance and, Stochastic Composition and Synthesis Workshop Alberto de Campo and Sergio Luque Network Music Festival (http://networkmusicfestival.org/programme/workshops/) Birmingham, United Kingdom. January 28 - 29, 2012
→"Sex, Drugs and Rock 'N Roll" Was Never Meant to Be like This
Tokyo, Japan
22 January 2012"Sex, Drugs and Rock 'N Roll" Was Never Meant to Be like This for computer-generated sound Brazil for computer-generated sound Tokyo Experimental Festival Tokyo, Japan. January 22, 2012
Stochastic Synthesis
Barcelona, Spain
19 December 2011Stochastic Synthesis Lecture l'ull cec | Lecture (http://lullcec.org/en/2011/conferencies/xenakis-i-la-sintesi-estocastica/) Escola Superior de Música de Catalunya Barcelona, Spain. December 19, 2011
→"Sex, Drugs and Rock 'N Roll" Was Never Meant to Be like This
Barcelona, Spain
19 December 2011"Sex, Drugs and Rock 'N Roll" Was Never Meant to Be like This for computer-generated sound Brazil for computer-generated sound Daisy for computer-generated sound l'ull cec | Concert (http://lullcec.org/2011/concerts/sergio-luque-ruben-patino-oscar-martin/) Centre Cívic Parc-Sandaru Barcelona, Spain. December 19, 2011
→Stochastic Composition and Synthesis in SuperCollider
Hangar, Barcelona, Spain
16 December 2011Stochastic Composition and Synthesis in SuperCollider Workshop l'ull cec | Seminar (http://lullcec.org/en/2011/tallers/composicio-i-sintesi-estocastiques/) Hangar, Barcelona, Spain. December 16 - 18, 2011
→Algorithmic Composition and Stochastic Synthesis
Madrid, Spain
28 November 2011Algorithmic Composition and Stochastic Synthesis Lecture Aula de Música Experimental (http://aulademusicaexperimental.blogspot.com.es/2013/11/encuentro-con-sergio-luque-sabado-30-11.html) Madrid, Spain. November 28, 2011
→Algorithmic Composition for Instrumental Music and Sound Synthesis
Madrid, Spain
19 November 2011Algorithmic Composition for Instrumental Music and Sound Synthesis Lecture Aula de Música Experimental (http://aulademusicaexperimental.blogspot.com/2011/11/encuentro-con-sergio-luque-sabado-19.html) Madrid, Spain. November 19, 2011
→Brazil
CRUCE, Madrid, Spain
14 November 2011Brazil for computer-generated sound Primer Simposio Internacional Transdisciplinar ¿Es posible pensar Latinoamérica? (http://www.uam.es/ss/Satellite/es/1234886350331/1242658332568/evento/evento/1242658332568.htm) Universidad Autónoma de Madrid CRUCE, Madrid, Spain. November 14, 2011
→"Sex, Drugs and Rock 'N Roll" Was Never Meant to Be like This
Casa Sociacusia, Guadalajara, Mexico
28 September 2011"Sex, Drugs and Rock 'N Roll" Was Never Meant to Be like This for computer-generated sound Brazil for computer-generated sound Casa Sociacusia, Guadalajara, Mexico. September 28, 2011
Happy Birthday
Kapu, Linz, Austria
2 September 2011Happy Birthday for computer-generated sound Six channel version Soundscapes Special Edition - Sonorous-Horreum (http://www.kapu.or.at/event/2011/09/02/soundscapes_special_ed_sonorous_horreum) Kapu, Linz, Austria. September 2 - 5, 2011
→"Sex, Drugs and Rock 'N Roll" Was Never Meant to Be like This
Museo de la Ciudad, Querétaro, Mexico
25 August 2011"Sex, Drugs and Rock 'N Roll" Was Never Meant to Be like This for computer-generated sound Ciclo de Música Electroacústica Instituto Queretano de la Cultura y las Artes Museo de la Ciudad, Querétaro, Mexico. August 25, 2011
Introduction to SuperCollider: Algorithmic Composition and Network Music
Madrid, Spain
6 July 2011Introduction to SuperCollider: Algorithmic Composition and Network Music Workshop Jornadas de Informática y Electrónica Musical (http://www.museoreinasofia.es/programas-publicos/pensamiento-y-debate/museo-espacio-sonoro.html) Laboratorio de Informática y Electrónica Musical Museo Nacional Centro de Arte Reina Sofía Madrid, Spain. July 6, 2011
→Frío
Madrid, Spain
4 July 2011Frío for computer-generated sound Jornadas de Informática y Electrónica Musical (http://www.museoreinasofia.es/programas-publicos/pensamiento-y-debate/museo-espacio-sonoro.html) Laboratorio de Informática y Electrónica Musical Auditorio 400, Museo Nacional Centro de Arte Reina Sofía Madrid, Spain. July 4, 2011
→Brazil
Medialab Prado, Madrid, Spain
16 April 2011Brazil for computer-generated sound AVLAB Meeting (http://medialab-prado.es/encuentros_avlab) Medialab Prado, Madrid, Spain. April 16, 2011
→Stochastic Synthesis: Origins and Extensions
Royal Festival Hall, Southbank Centre, London, United Kingdom
3 April 2011Stochastic Synthesis: Origins and Extensions Lecture Xenakis International Symposium (http://www.gold.ac.uk/ccmc/xenakisinternationalsymposium/xenakisinternationalsymposiumdetails/) Goldsmiths, University of London Royal Festival Hall, Southbank Centre, London, United Kingdom. April 3, 2011
→"Sex, Drugs and Rock 'N Roll" Was Never Meant to Be like This
San Luis Potosí, Mexico
25 November 2010"Sex, Drugs and Rock 'N Roll" Was Never Meant to Be like This for computer-generated sound SONORISarte Laboratorio de Arte Sonoro del CANTE Foro de los Muros, Centro de las Artes de San Luis Potosí San Luis Potosí, Mexico. November 25, 2010
"Sex, Drugs and Rock 'N Roll" Was Never Meant to Be like This
Radio Suisse Romande 2 (http://www.rsr.ch/espace-2), Switzerland
21 November 2010"Sex, Drugs and Rock 'N Roll" Was Never Meant to Be like This for computer-generated sound Broadcast Musique d'Avenir, hosted by Anne Gillot Radio Suisse Romande 2 (http://www.rsr.ch/espace-2), Switzerland. November 21, 2010
→Absorbed
Teatro de la Ciudad, Puebla, Mexico
28 October 2010Absorbed for two violas Garth Knox & Alexander Bruck Commissioned by Alexander Bruck Discantus 2010 (http://www.pueblacapital.gob.mx/events/events/index.php?com=detail&eID=96) Teatro de la Ciudad, Puebla, Mexico. October 28, 2010
→"Sex, Drugs and Rock 'N Roll" Was Never Meant to Be like This
Radio Suisse Romande, Geneva, Switzerland
17 October 2010"Sex, Drugs and Rock 'N Roll" Was Never Meant to Be like This for computer-generated sound Ensemble Vortex VORTEX 5 ANS Maison de la Radio, Studio Ernest Ansermet Radio Suisse Romande, Geneva, Switzerland. October 17, 2010
"Sex, Drugs and Rock 'N Roll" Was Never Meant to Be like This
Kl. Wasserspeiche, Berlin, Germany
25 September 2010"Sex, Drugs and Rock 'N Roll" Was Never Meant to Be like This for computer-generated sound SuperCollider Symposium 2010 | Concerts/Installations (http://supercollider2010.de/concerts-installations.html) Kl. Wasserspeiche, Berlin, Germany. September 25, 2010
→Stochastic Synthesis
Universität der Künste, Berlin, Germany
23 September 2010Stochastic Synthesis Lecture SuperCollider Symposium 2010 | Conference (http://supercollider2010.de/conference.html) Universität der Künste, Berlin, Germany. September 23, 2010
→Patterns in a Stochastic Field
.HBC, Berlin, Germany
22 September 2010Patterns in a Stochastic Field Workshop SuperCollider Symposium 2010 | Workshops (http://supercollider2010.de/workshops/40-patterns-in-a-stochastic-field.html) .HBC, Berlin, Germany. September 22, 2010
→Frío
Laboratorio Arte Alameda, Mexico. June 17
8 August 2010Frío for computer-generated sound (ready)media: arqueología de los medios y la invención en México (http://www.artealameda.bellasartes.gob.mx/index.php/proximaexpo) Laboratorio Arte Alameda, Mexico. June 17 - August 8, 2010
→"Sex, Drugs and Rock 'N Roll" Was Never Meant to Be like This
Universidad de Guanajuato, Mexico
1 August 2010"Sex, Drugs and Rock 'N Roll" Was Never Meant to Be like This for computer-generated sound IN-SONORA | Laboratorio Sonoro Transónica (http://transonica.wordpress.com/2009/12/05/experimento-1-visonicaproyectando-sonidos/) Galería Tomás Chávez Morado y El Atrio Universidad de Guanajuato, Mexico. August, 2010
→My Idea of Fun
Oaxaca, Mexico
7 April 2010My Idea of Fun for clarinet, percussion & viola Fernando Domínguez, clarinet; Iván Manzanilla, percussion; Alexander Bruck, viola Instrumenta Contemporánea (http://instrumenta.org) Auditorio del Centro Cultural Universitario, UABJO Oaxaca, Mexico. April 7, 2010
→Brazil
George Cadbury Hall, Birmingham, United Kingdom
17 January 2010Brazil for computer-generated sound BEAST (Birmingham Electroacoustic Sound Theatre) (http://www.beast.bham.ac.uk/) George Cadbury Hall, Birmingham, United Kingdom. January 17, 2010
→The Stochastic Synthesis of Iannis Xenakis
MIT Press
1 January 2010The Stochastic Synthesis of Iannis Xenakis Academic Article Leonardo Music Journal, Volume 19 (http://www.leonardo.info/isast/journal/toclmj19.html) MIT Press, January 2010
→Spine
Suisse Romande 2 (http://www.rsr.ch/espace-2), Switzerland
13 December 2009Spine for English horn, percussion, violin and double bass Broadcast Ensemble Vortex Suisse Romande 2 (http://www.rsr.ch/espace-2), Switzerland. December 13, 2009
→BEASTmulch System
University of Birmingham
15 September 2009BEASTmulch System Software A tool for the presentation of electroacoustic music over multichannel systems http://www.birmingham.ac.uk/facilities/BEAST/research/mulch.aspx Created by Scott Wilson and Sergio Luque University of Birmingham, September 15, 2009
→"Sex, Drugs and Rock 'N Roll" Was Never Meant to Be like This
Teatro Popular do SESI, Sao Paulo, Brazil. July 27
30 August 2009"Sex, Drugs and Rock 'N Roll" Was Never Meant to Be like This for computer-generated sound SoundLAB VI - soundPOOL FILE - Electronic Language Music Festival (http://www.file.org.br/) Teatro Popular do SESI, Sao Paulo, Brazil. July 27 - August 30, 2009
→Electroacoustic III
Radio Círculo (100.4 FM), Spain
30 June 2009Electroacoustic III Interview Bisbigliando - el espacio de la música actual de Radio Círculo Hosted by María Santacecilia and Alberto Bernal Radio Círculo (100.4 FM), Spain. June 30, 2009
Synthetic Space
Madrid, Spain
29 June 2009Synthetic Space Round Table Emiliano del Cerro, José Manrique and Sergio Luque Jornadas de Informática y Electrónica Musical XVI (http://cdmc.mcu.es/cms/files/pdf/JIEM_09_actividades.pdf) Laboratorio de Informática y Electrónica Musical Museo Nacional Centro de Arte Reina Sofía Madrid, Spain. June 29, 2009
→"Sex, Drugs and Rock 'N Roll" Was Never Meant to Be like This
CBSO Centre, Birmingham, United Kingdom
30 May 2009"Sex, Drugs and Rock 'N Roll" Was Never Meant to Be like This for computer-generated sound Travels in Time and Space (http://www.beast.bham.ac.uk/about/pastevents.shtml) BEAST (Birmingham Electroacoustic Sound Theatre) CBSO Centre, Birmingham, United Kingdom. May 30, 2009
→Ssst
Bremen, Germany
26 March 2009Ssst for computer-generated sound REM Concert (http://www.weserburg.de/index.php?id=95&L=1) Weserburg Museum of Modern Art Bremen, Germany. March 26, 2009
→Don't Have Any Evidence
CBSO Centre, Birmingham, United Kingdom
13 March 2009Don't Have Any Evidence for chamber ensemble Birmingham Contemporary Music Group (BCMG) Peter Wiegold,conductor Happy Birthday for computer-generated sound Six channel version BCMG Insight | Focus on Composer Sergio Luque CBSO Centre, Birmingham, United Kingdom. March 13, 2009
Teaching Electroacoustic Composition
26 December 2008Teaching Electroacoustic Composition Round Table Alberto Bernal, Oscar Cubillas, Mario Mary, Adolfo Nuñez and Sergio Luque "Sex, Drugs and Rock 'N Roll" Was Never Meant to Be like This for computer-generated sound Broadcast Ars Sonora (http://www.rtve.es/radio/20081015/ars-sonora/178288.shtml), hosted by Miguel Álvarez-Fernández Radio Clásica, Radio y Televisión Española, Spain December 26, 2008
→Y Fue Que Le Pareció Convenible y Necesario
Cañete 17 - 4, Madrid, Spain
13 December 2008Y Fue Que Le Pareció Convenible y Necesario for computer-generated sound Happy Birthday for computer-generated sound "Sex, Drugs and Rock 'N Roll" Was Never Meant to Be like This for computer-generated sound RUIDOCRACIA - Ruido y Democracia: Expresión, Autonomía y Praxis (http://ruidocracia.blogspot.com/) Cañete 17 - 4, Madrid, Spain. December 13, 2008
→Introduction to SuperCollider
Madrid, Spain
20 November 2008Introduction to SuperCollider Workshop Stochastic Synthesis: Origins and Extensions Lecture Laboratorio de Informática y Electrónica Musical (http://cdmc.mcu.es/es/actividades/105/) Museo Nacional Centro de Arte Reina Sofía Madrid, Spain. November 20 - 21, 2008
→"Sex, Drugs and Rock 'N Roll" Was Never Meant to Be like This
Istituto Europeo di Design, Madrid, Spain
24 October 2008"Sex, Drugs and Rock 'N Roll" Was Never Meant to Be like This for computer-generated sound IN-SONORA - IV Muestra de Arte Sonoro e Interactivo (http://www.in-sonora.com/) Istituto Europeo di Design, Madrid, Spain. October 24, 2008
→Spine
Geneva, Switzerland
7 October 2008Spine for English horn, percussion, violin and double bass Commissioned and performed by Ensemble Vortex Grande Salle, Conservatoire de Musique de Genève Geneva, Switzerland. October 7, 2008
Là
Teatro Juárez, Oaxaca, Mexico
30 September 2008Là for clarinet, piano & vibraphone Fernando Domínguez, clarinet; Edith Ruiz, piano; Alma Gracia Estrada, vibraphone Retrato de Maestros II Instrumenta Contemporánea 08 (http://instrumenta.org/cms/contemporanea2008-home) Teatro Juárez, Oaxaca, Mexico. September 30, 2008
→Happy Birthday
Birmingham, United Kingdom
6 June 2008Happy Birthday for computer-generated sound Six channel version Integra Festival 2008 (http://www.integralive.org/events/?id=106) Adrian Boult Hall, Birmingham Conservatoire Birmingham, United Kingdom. June 6, 2008
→Frío
Irradia, Mexico City
22 April 2008Frío for computer-generated sound CD México Electroacústico [1960-2007] Irradia, Mexico City. April 22, 2008
"Sex, Drugs and Rock 'N Roll" Was Never Meant to Be like This
Shepherd School of Music, Rice University, Houston, USA
21 April 2008"Sex, Drugs and Rock 'N Roll" Was Never Meant to Be like This for computer-generated sound Hecho en México (http://www.ruf.rice.edu/~musi/calendar/april_2008.html) Wortham Opera Theatre Shepherd School of Music, Rice University, Houston, USA. April 21, 2008
→Y Fue Que Le Pareció Convenible y Necesario
Escuela Superior de Música, Mexico City
18 April 2008Y Fue Que Le Pareció Convenible y Necesario for computer-generated sound Statika 08 Escuela Superior de Música, Mexico City. April 18, 2008
"Sex, Drugs and Rock 'N Roll" Was Never Meant to Be like This
Escuela Superior de Música, Mexico City
17 April 2008"Sex, Drugs and Rock 'N Roll" Was Never Meant to Be like This for computer-generated sound Statika 08 Escuela Superior de Música, Mexico City. April 17, 2008
"Sex, Drugs and Rock 'N Roll" Was Never Meant to Be like This
Torre de Herveo, Manizales, Colombia
15 April 2008"Sex, Drugs and Rock 'N Roll" Was Never Meant to Be like This for computer-generated sound Puente Sonoro VII Festival Internacional de la Imagen (http://www.festivaldelaimagen.com) Torre de Herveo, Manizales, Colombia. April 15 - 19, 2008
→Là
Boston, USA
5 April 2008Là for alto saxophone, piano & vibraphone Kent O'Doherty Ensemble Boston Conservatory Boston, USA. April 5, 2008
"Sex, Drugs and Rock 'N Roll" Was Never Meant to Be like This
TecnoNucleo - Experimental Electronic Music (http://www.tecnonucleo.org/), Spain
14 March 2008"Sex, Drugs and Rock 'N Roll" Was Never Meant to Be like This, Frío and Ssst Netlabel Release . "Sex, Drugs and Rock 'N Roll" Was Never Meant to Be like This TecnoNucleo - Experimental Electronic Music (http://www.tecnonucleo.org/), Spain. March 14, 2008
→Logik der Störung
Cologne, Germany
28 February 2008Logik der Störung Workshop Distributed stochastic composition and synthesis in SuperCollider Julian Rohrhuber and Sergio Luque "New ways to bring back the noise into the telephone line. Instead of separating signal and noise, we will try to devise new and beautiful uncertainties, reconstruct respected old noise sources and play with the intractable. This workshop will be an experimental laboratory for finding and exchanging stochastic algorithms that run on each other’s computers in the local network." Linux Audio Conference 2008 (http://lac.linuxaudio.org/?page_id=42) Universität Köln - Kunsthochschule für Medien Köln Cologne, Germany. February 28, 2008
→"Sex, Drugs and Rock 'N Roll" Was Never Meant to Be like This
Stadtgarten, Cologne, Germany
28 February 2008"Sex, Drugs and Rock 'N Roll" Was Never Meant to Be like This for computer-generated sound Linux Audio Conference 2008 (http://lac.linuxaudio.org/) Universität Köln - Kunsthochschule für Medien Köln Stadtgarten, Cologne, Germany. February 28, 2008
→"Sex, Drugs and Rock 'N Roll" Was Never Meant to Be like This
Museo Nacional de Antropología, San Salvador, El Salvador
27 February 2008"Sex, Drugs and Rock 'N Roll" Was Never Meant to Be like This for computer-generated sound XI Festival de Música Contemporánea de El Salvador Museo Nacional de Antropología, San Salvador, El Salvador. February 27, 2008
Stochastic Synthesis: Origins and Extensions
The Hague, The Netherlands
4 December 2007Stochastic Synthesis: Origins and Extensions Lecture "Sex, Drugs and Rock 'N Roll" Was Never Meant to Be like This for computer-generated sound Concert Stochastic Composition in SuperCollider Workshop Institute of Sonology, Royal Conservatory The Hague, The Netherlands. December 4 - 5, 2007
Y Fue Que Le Pareció Convenible y Necesario
Overtoom 301, Amsterdam, The Netherlands
3 December 2007Y Fue Que Le Pareció Convenible y Necesario for computer-generated sound ¿Qué Gigantes? for computer-generated sound "Sex, Drugs and Rock 'N Roll" Was Never Meant to Be like This for computer-generated sound DNK Amsterdam (http://www.dnk-amsterdam.com/index.cgi?dept=AGENDA&article=68) Overtoom 301, Amsterdam, The Netherlands. December 3, 2007
→Introduction to SuperCollider
Madrid, Spain
26 November 2007Introduction to SuperCollider Workshop Laboratorio de Informática y Electrónica Musical (http://cdmc.mcu.es/es/actividades/92/) Centro para la Difusión de la Música Contemporánea Museo Nacional Centro de Arte Reina Sofía Madrid, Spain. November 26, 2007
→Stochastic Algorithmic Composition
Klanglabor, Cologne, Germany
21 November 2007Stochastic Algorithmic Composition Lecture Y Fue Que Le Pareció Convenible y Necesario for computer-generated sound ¿Qué Gigantes? for computer-generated sound Happy Birthday for computer-generated sound Concert Unberechenbare Berechnungen (http://www.fk-427.de/Profil/UnberechenbareBerechnungen) Universität Köln - Kunsthochschule für Medien Köln Klanglabor, Cologne, Germany. November 21, 2007
→Stochastic Music
Medialab Prado, Madrid, Spain
10 November 2007Stochastic Music Lecture Y Fue Que Le Pareció Convenible y Necesario for computer-generated sound ¿Qué Gigantes? for computer-generated sound Concert AVLAB Meeting (http://medialab-prado.es/article/9_encuentro_avlab) Medialab Prado, Madrid, Spain. November 10, 2007
→John Cage: Imaginary Landscape No. 5 For Any 42 Phonograph Records
Ikon Eastside, Birmingham, United Kingdom
12 October 2007John Cage: Imaginary Landscape No. 5 For Any 42 Phonograph Records New computer realization for recordings of spoken word Eight channels Text (un)Caged - Birmingham Book Festival (http://www.birminghambookfestival.org/theevents.aspx#uncaged) Ikon Eastside, Birmingham, United Kingdom. October 12, 2007
→BEAST (Birmingham Electroacoustic Sound Theatre)
The School of Architecture at the Royal Danish Academy of Fine Arts, Copenhagen, Denmark
8 October 2007BEAST (Birmingham Electroacoustic Sound Theatre) Workshop & Concert SOUND AROUND - Öresund Biennale of Contemporary Music (http://www.sound-around.org/) The School of Architecture at the Royal Danish Academy of Fine Arts, Copenhagen, Denmark. October 8 - 9, 2007
→To and Fro (Adult Male Courtship Song)
Boston, USA
29 September 2007To and Fro (Adult Male Courtship Song) for alto saxophone & tape Kent O'Doherty Boston Conservatory Mainstage Theater Boston, USA. September 29, 2007
Happy Birthday
Scheltema, Leiden, The Netherlands
20 September 2007Happy Birthday for computer-generated sound Wavefield synthesis version SuperCollider Symposium 2007 (http://supercollidersymposium.sampleandhold.org/) Scheltema, Leiden, The Netherlands. September 20, 2007
→Don't Have Any Evidence
Birmingham, United Kingdom
13 September 2007Don't Have Any Evidence, for chamber ensemble, won the University of Birmingham's COMPASS Composition Prize and is going to be performed by the Birmingham Contemporary Music Group (http://www.bcmg.org.uk/) Birmingham, United Kingdom. September 13, 2007
→Y Fue Que Le Pareció Convenible y Necesario
Aloardi - Sello de Música Experimental, Peru
1 June 2007Y Fue Que Le Pareció Convenible y Necesario for computer-generated sound CD "Una muestra del trabajo de exploración de algunos compositores, programadores y meta compositores latinoamericanos que emplean técnicas algorítmicas para construir sistemas informáticos de los que emergen comportamientos sonoros. En algunos casos implementando interfaces para interactuar con estos sistemas y en otros casos otorgándoles total autonomía. Participan: Juan Reyes (Colombia), Santiago Peresón (Argentina), Christian Galarreta (Perú), Rogelio Sosa (http://www.caustica.net/) y Sergio Luque (México)." Ejercicios de Desolación Artificial Aloardi - Sello de Música Experimental, Peru. June, 2007
→¿Qué Gigantes?
Belfast, Northern Ireland
30 March 2007¿Qué Gigantes? for computer-generated sound Sonic Arts Research Centre (SARC) Belfast, Northern Ireland. March 30, 2007
Stochastic Composition with SuperCollider
Technische Universität Berlin, Germany
25 March 2007Stochastic Composition with SuperCollider Workshop 5th Linux Audio Conference (http://www.kgw.tu-berlin.de/~lac2007/program_time.shtml#sunday) Technische Universität Berlin, Germany. March 25, 2007
→De la incertidumbre
Instituto Cervantes Berlin, Germany
23 March 2007De la incertidumbre for computer-generated sound I. Y Fue Que Le Pareció Convenible y Necesario II. Interludio III. ¿Qué Gigantes? 5th Linux Audio Conference (//www.kgw.tu-berlin.de/~lac2007/concerts.shtml#friday) Instituto Cervantes Berlin, Germany. March 23, 2007
Happy Birthday
CBSO Centre, Birmingham, United Kingdom
4 March 2007Happy Birthday for computer-generated sound Six channel version Invisible Art BEAST (Birmingham Electroacoustic Sound Theatre) CBSO Centre, Birmingham, United Kingdom. March 4, 2007
Là
Escuela Nacional de Música, UNAM, Mexico City
13 December 2006Là for alto saxophone, piano & vibraphone Rodrigo Garibay Ensemble Escuela Nacional de Música, UNAM, Mexico City. December 13, 2006
Happy Birthday
Sala Carlos Chávez, CCU, Mexico City
23 September 2006Happy Birthday for computer-generated sound Stereo version Commissioned by Festival Visiones Sonoras 2006 Sala Carlos Chávez, CCU, Mexico City. September 23, 2006
De la incertidumbre
Concertzender FM, The Netherlands
4 September 2006De la incertidumbre for computer-generated sound I. Y Fue Que Le Pareció Convenible y Necesario II.Interludio III. ¿Qué Gigantes? Ssst for computer-generated sound Alzado for chamberensemble 230 Volt, Martijn Tellinga Concertzender FM, The Netherlands. September 4, 2006
Y Fue Que Le Pareció Convenible y Necesario
Custard Factory, Birmingham, United Kingdom
28 July 2006Y Fue Que Le Pareció Convenible y Necesario for computer-generated sound SuperCollider Symposium 2006 Custard Factory, Birmingham, United Kingdom. July 28, 2006
¿Qué Gigantes?
STEIM, Amsterdam
30 June 2006¿Qué Gigantes? for computer-generated sound Ensemble Vortex STEIM, Amsterdam. June 30, 2006
Y Fue Que Le Pareció Convenible y Necesario
Theater Korzo, The Hague, The Netherlands
29 June 2006Y Fue Que Le Pareció Convenible y Necesario for computer-generated sound De Nada Sirve Hacer Planes for string orchestra ¿Qué Gigantes? for computer-generated sound Institute of Sonology, Royal Conservatory Theater Korzo, The Hague, The Netherlands. June 29, 2006
Résistance
Colegio Nacional, Mexico City
29 June 2006Résistance for accordion Eva Zöllner Aula Magna, CENART, Mexico City. July 5, 2006 Colegio Nacional, Mexico City. June 29, 2006
Y Fue Que Le Pareció Convenible y Necesario
Theater Kikker, Utrecht, The Netherlands
9 June 2006Y Fue Que Le Pareció Convenible y Necesario for computer-generated sound SuperProeflokaal Theater Kikker, Utrecht, The Netherlands. June 9, 2006
Là
Conservatorio Nacional de Música de México, Mexico City
4 May 2006Là for alto saxophone, piano & vibraphone Cuarteto Tetraktys XXVIII Foro Internacional de Música Nueva 'Manuel Enríquez' Conservatorio Nacional de Música de México, Mexico City. May 4, 2006
Y Fue Que Le Pareció Convenible y Necesario
TU/e - Auditorium, Eindhoven, The Netherlands
23 April 2006Y Fue Que Le Pareció Convenible y Necesario for computer-generated sound TU/e - Auditorium, Eindhoven, The Netherlands. April 23, 2006
Hissoanji - In Memoriam Ejo Takata
EN3MY, Chicago
8 April 2006Hissoanji - In Memoriam Ejo Takata for computer-generated sound (A) MEXICAN r4wb1t5 macro.Fest EN3MY, Chicago. April 8, 2006
Frío
La Habana, Cuba
8 March 2006Frío for computer-generated sound Música Electroacústica Mexicana Actual Festival Internacional Primavera en La Habana Museo Nacional de Bellas Artes La Habana, Cuba. March 8, 2006
¿Qué Gigantes?
Geneva, Switzerland
8 December 2005¿Qué Gigantes? for computer-generated sound Francisco Huguet & Daniel Zea Ensemble Vortex Grande Salle, Conservatoire de Musique de Genève Geneva, Switzerland. December 8, 2005
Interludio
The Hague
25 October 2005Interludio for computer-generated sound Studio 1, Institute of Sonology, Royal Conservatory The Hague. October 25, 2005
¿Qué Gigantes?
Corredor Macedonio Alcalá, Oaxaca, Oaxaca. July 25
26 August 2005¿Qué Gigantes? for computer-generated sound Andador Sonoro Instrumenta Oaxaca Verano 2005 Corredor Macedonio Alcalá, Oaxaca, Oaxaca. July 25 - August 26, 2005
Introduction to SuperCollider
Mexico City
14 July 2005Introduction to SuperCollider Workshop Centro de Investigación y Estudios Musicales Mexico City. July 14 - 22, 2005
Ssst
Place de Neuve, Geneva, Switzerland
19 June 2005Ssst for computer-generated sound Y Fue Que Le Pareció Convenible y Necesario for computer-generated sound Francisco Huguet & Daniel Zea Ensemble Vortex Féte de la Musique Place de Neuve, Geneva, Switzerland. June 19, 2005
Ssst
NDSM, Amsterdam
3 June 2005Ssst for computer-generated sound Panakoustikon Festival voor Nederlandse Elektronische Muziek NDSM, Amsterdam. June 3, 2005
De Nada Sirve Hacer Planes
Centro Cultural Regional de Texcoco, México. Septiembre 3, 2005
1 June 2005De Nada Sirve Hacer Planes for string orchestra Commissioned and performed by Orquesta de Texcoco Rodrigo Macías, conductor Centro Cultural Regional de Texcoco, México. Septiembre 3, 2005
La Última Instalación
Casa del Lago, Mexico City. February 17
30 April 2005La Última Instalación Sound Installation México 70 - Una decada dentro de una generación Casa del Lago, Mexico City. February 17 - April 30, 2005
Y Fue Que Le Pareció Convenible y Necesario
Ex-Teresa Arte Actual, Mexico City
23 April 2005Y Fue Que Le Pareció Convenible y Necesario for computer-generated sound Radar 4 - Espacio de Exploración Sonora XXI Festival de México en el Centro Histórico Ex-Teresa Arte Actual, Mexico City. April 23, 2005
Introduction to SuperCollider
_hAtch, Mexico City
18 April 2005Introduction to SuperCollider Workshop Radar 4 - Espacio de Exploración Sonora XXI Festival de México en el Centro Histórico _hAtch, Mexico City. April 18 - 22, 2005
My Life Has Been Filled With Terrible Misfortune; Most of Which Never Happened
South Bank - Brisbane, Australia
23 October 2004My Life Has Been Filled With Terrible Misfortune; Most of Which Never Happened for bass clarinet, violin, viola, cello, double bass & live electronics Richard Haynes, bass clarinet Mercury New Music Ensemble Ian Hanger Recital Hall, Queensland Conservatorium South Bank - Brisbane, Australia. October 23, 2004
Ssst
Casa de los Morlanes, Zaragoza
7 September 2004Ssst for computer-generated sound Zèppelin Destival 2004. Festival de Proyectos Sonoros CCCB / Caixaforum, Barcelona. May 19 - 22, 2004 Casa de los Morlanes, Zaragoza. September 7 - 19, 2004
Là
Muziekcentrum de Ijsbreker, Amsterdam
5 September 2004Là for Bb clarinet, vibraphone & piano Schönberg Ensemble Muziekcentrum de Ijsbreker, Amsterdam. September 5, 2004
My Life Has Been Filled With Terrible Misfortune; Most of Which Never Happened
Muziekcentrum 's-Hertogenbosch
4 September 2004My Life Has Been Filled With Terrible Misfortune; Most of Which Never Happened for bass clarinet, violin, viola, cello, double bass & live electronics Carlos Gálvez Taroncher, bass clarinet Sergio Luque, live electronics Insomnio Ensemble Gaudeamus Music Week Felix Meritis Concert Hall, Amsterdam. September 8, 2004 Muziekcentrum 's-Hertogenbosch. September 4, 2004
Alzado
Radio Beethoven, Chile
26 August 2004Alzadofor ensemble Broadcast Siglo XX, hosted by José Oplustil Radio Beethoven, Chile. August 26, 2004
To and Fro (Adult Male Courtship Song)
Sala Nezahualcóyotl, CCU, Mexico City
18 August 2004To and Fro (Adult Male Courtship Song) for alto saxophone & live electronics Rodrigo Garibay, alto saxophone Sergio Luque, live electronics Maratón de Música Electrónica en Vivo Sismo 04 - Bienal Internacional de Música Electroacústica Sala Nezahualcóyotl, CCU, Mexico City. August 18, 2004
Introduction to SuperCollider
Centro Multimedia, CENART, Mexico City
2 August 2004Introduction to SuperCollider Workshop Centro Multimedia, CENART, Mexico City. August 2 - 23, 2004
Là
Theater Lantaren/Venster, Rotterdam
25 May 2004Là for alto saxophone, piano & vibraphone Kent O'Doherty, alto saxophone; Guillermo Quintero,piano; Sjoerd Nijenhuis, vibraphone Hissoanji - In Memoriam Ejo Takata for computer-generated sound To and Fro (Adult Male Courtship Song) for alto saxophone & live electronics Kent O’Doherty, alto saxophone; Sergio Luque, live electronics Theater Lantaren/Venster, Rotterdam. May 25, 2004
Hissoanji - In Memoriam Ejo Takata
Theater Lantaren/Venster, Rotterdam
13 April 2004Hissoanji - In Memoriam Ejo Takata for computer-generated sound Theater Lantaren/Venster, Rotterdam. April 13, 2004
To and Fro (Adult Male Courtship Song)
Escuela Nacional de Arte Teatral, CENART, Mexico City
3 April 2004To and Fro (Adult Male Courtship Song) for alto saxophone & live electronics Eduardo Meléndez, alto saxophone; Ezequiel Netri, live electronics Real time video created by Leonardo Ladrón de Guevara Kalispherion - Interdisciplinary Festival Escuela Nacional de Arte Teatral, CENART, Mexico City. April 3 - 4, 2004
Hissoanji - In Memoriam Ejo Takata
http://www.centibel.org
1 April 2004Hissoanji - In Memoriam Ejo Takata Netlabel Release Centibel - Canadian experimental digital netlabel Curated by Phil Thomson http://www.centibel.org. April 2004
To and Fro (Adult Male Courtship Song)
Theater Lantaren/Venster, Rotterdam
26 November 2003To and Fro (Adult Male Courtship Song) for alto saxophone & live electronics Kent O’Doherty, alto saxophone; Sergio Luque, live electronics Theater Lantaren/Venster, Rotterdam. November 26, 2003
1÷2
Theater Lantaren/Venster, Rotterdam
25 November 20031÷2 for bass clarinet Ainhoa Miranda Ssst for computer-generated sound Theater Lantaren/Venster, Rotterdam. November 25, 2003
Frío
Valparaíso, Chile
6 November 2003Frío for computer-generated sound Panorama Acusmático: Una visión actual de México que entra por los oídos Tercer Encuentro Internacional de Música Contemporánea de Valparaíso Sala del Instituto Chileno-Norteamericano de Valparaíso Valparaíso, Chile. November 6, 2003
Ssst
Darmouth College, Hanover, New Hampshire, USA
23 August 2003Ssst for computer-generated sound Electronic Rainbow Coalition Festival Darmouth College, Hanover, New Hampshire, USA. August 23, 2003
comment dire "En una noche oscura"
Chartreuse de Villeneuve-lez-Avignon, France
9 July 2003comment dire "En una noche oscura" for soprano, tenor & baritone Le Jeunes Solistes (http://www.les-jeunes-solistes.com) Rachid Safir, conductor Acanthes 2003 Chartreuse de Villeneuve-lez-Avignon, France. July 9 - 25, 2003
→Hissoanji - In Memoriam Ejo Takata
Glockenhaus, Lüneburg, Germany
26 May 2003Hissoanji - In Memoriam Ejo Takata Elektroakustische Musik aus den Niederlanden I 28. Festival für Neue Musik Lüneburg Glockenhaus, Lüneburg, Germany. May 26, 2003
1÷2
Auditorio Blas Galindo, CENART, Mexico City
24 May 20031÷2 for bass clarinet Fernando Domínguez XXV Foro Internacional de Música Nueva 'Manuel Enríquez' Auditorio Blas Galindo, CENART, Mexico City. May 24, 2003
Vs.
Eduard Flipsezaal, De Doelen, Rotterdam
16 May 2003Vs. for tenor trombone, two cellos & percussion Là for alto saxophone, piano & vibraphone Eduard Flipsezaal, De Doelen, Rotterdam. May 16, 2003
Ssst
Theater Lantaren/Venster, Rotterdam
5 March 2003Ssst for computer-generated sound Nieuwe Electronische Muziek Theater Lantaren/Venster, Rotterdam. March 5 , 2003
Alzado
Felix Meritis Concert Hall, Amsterdam
15 February 2003Alzado for ensemble Nieuw Ensemble Het Verfijnde Oor Felix Meritis Concert Hall, Amsterdam. February 15, 2003
Ssst
http://www.centibel.org
1 January 2003Ssst for computer-generated sound Frío for computer-generated sound Netlabel Release Centibel - Canadian experimental digital netlabel Curated by Phil Thomson http://www.centibel.org. January 2003
Là
Maison de l’Université, Université de Rouen
21 November 2002Là for alto saxophone, piano & vibraphone Commissioned and performed by L'Atelier Ensemble Instrumental Salle Cortot, Ecole Normale de Musique de Paris. December 19, 2002 Maison de l’Université, Université de Rouen. November 21, 2002
0003
Muziekzaal, Rotterdams Conservatorium
19 November 20020003 for brass ensemble & percussion Muziekzaal, Rotterdams Conservatorium. November 19, 2002
Ssst
Glockenhaus, Lüneburg, Germany
25 October 2002Ssst for computer-generated sound Elektroakustische Musik aus den Niederlanden II 28. Festival für Neue Musik Lüneburg Glockenhaus, Lüneburg, Germany. October 25, 2002
Hissoanji - In Memoriam Ejo Takata
Southampton, United Kingdom
21 September 2002Hissoanji - In Memoriam Ejo Takata for computer-generated sound Musicircus cage 2002 - 90/10 John Hansard Gallery, University of Southampton Southampton, United Kingdom. September 21, 2002